Science vs Science Fiction

In Plato’s Republic, the philosopher takes a very hard line against the arts in general and the poets in particular, even going so far as stating that Homer should be banned by the philosopher kings ruling over the ideal state. Plato’s main objection to poets was that they are just imitators and imitation is devoid of knowledge. More specifically, the arts engage the emotions and not the higher rational faculties. They throw the Platonic psyche out of balance at the individual and the societal level. Were he to be transported to 2021, Plato would be horrified by the sheer volume of “poetry” we consume via television and the internet in modern society. Even if all our storytellers were as good as Homer and accurately imitated life in their art, we would be out of balance in Plato’s eyes by constantly stimulating our emotional and imaginative faculties without subsequent stimulation of the reasoning faculties. As it turns out, our society provides quite a lot of evidence to suggest that Plato was right. Our public discourse runs very much on emotions and very little on reason these days and it’s entirely possible that this tendency is in direct proportion to our proclivity to watch movies and tv shows rather than engage the rational faculties. It doesn’t help that the propaganda machine formerly known as the news media also indulges in the blatant fabrication of reality. If imitation was bad enough in Plato’s eyes, what would he make of the fabrication and distortion that is now business as usual?

As somebody who enjoys both writing and reading stories, I would disagree with Plato’s objections to the artform primarily on grounds that stories and art in general are a bridge to the unconscious mind and the unconscious mind can reveal truth. Of course, the unconscious mind does not exist in Platonic psychology. His psyche has reason, spirit and emotion and in The Republic he extrapolates this structure at the individual level to society at large. Thus, the philosopher kings represent reason and should rule. The armed forces represent spirit and should be subordinate to reason. The rest of society represents emotion and this should be subordinate to both spirit and reason. If we were to introduce the unconscious, and in particular the collective unconscious, into the psychic equation and give it a prominence of equal weight to reason, then the poets, storytellers, priests and others who were concerned with it would have a great responsibility to ensure that the symbolic representations of their craft were faithful to whatever truths were to be had through the unconscious. As a storyteller, I believe that to be true. It’s the duty of storytellers to make sure a story is accurate and this goes for the plot, the psychological and biographical accuracy of the characters and even the symbolic meanings of the story. When all these are taken care of, the story resonates at multiple levels at once in much the same way that harmony functions in music.

It’s for this same reason that I tend to be very critical of stories and movies where the author or screenwriter gets it wrong. Let me give one example that’s always annoyed me from the movie Gladiator. Those who have seen it will remember the scene where Maximus is arrested and taken by a troop of praetorian guards to be killed in the forest. He manages to break free and kill the first few guards. There are a couple of others who are on watch at a distance and don’t know what has happened. He kills the first by throwing a sword from behind, a very low risk technique. Then he kills another. There’s one guard left; one man standing between Maximus and freedom. This guard has managed to remain blissfully unaware of everything that has happened. His attention is off in the distance. Maximus is standing behind him with sword in hand. We’ve already seen Maximus kill one guard by throwing a sword from behind. He could easily do the same with this one. Alternatively, he could get the horse of one of the other guards and ride away without even bothering to kill the man. Both are zero risk options which get him what he wants. Instead, he challenges the guard to a duel where he is at a significant disadvantage by not being on a horse. He kills the guard buts gets injured in the process and the rest of the movie unfolds from there. This scene makes sense as a plot device. It gets the story where it needs to go. But it doesn’t make sense in terms of characterisation. Are we really to believe that Maximus, Rome’s greatest general, who has just shown great discipline and fortitude leading his troops into battle, is going to take a completely unnecessary risk that leaves him at a significant disadvantage in a fight? I don’t think so. He would have thrown the sword, killed the last praetorian guard and ridden away on his horse. Nevertheless, the error is minor and I’m sure most people watching the film didn’t even pick up on it. Gladiator is an action movie, after all. People are not watching it for an in-depth psychological analysis. Sometimes, however, errors like this are revealing about the culture. I find science fiction to be a rich source of such errors which are interesting to the extent that they reveal something about our culture’s understanding of science.

Robert Heinlein defined science fiction as “realistic speculation about possible future events, based solidly on adequate knowledge of the real world, past and present, and on a thorough understanding of the nature and significance of the scientific method.” In other words, science fiction should be accurate in its depiction of science in the same way that a story’s plot should be accurate in relation to its characters. In Plato’s language, it should imitate reality. We’ve all had the impression while watching a movie or reading a book that the character “would never do that”. In that case, the storyteller has failed to marry the plot and the characterisation. In the same way, we might have the impression while watching a science fiction move that “science doesn’t work like that” or “that could never happen [because it breaks the laws of physics]”. An example of this is The Matrix. In the movie, we are told that humans are being farmed for energy because the sky was blacked out and the sun blocked. This makes no sense from a thermodynamics point of view. Even assuming you could keep humans alive in such a world, how are you going to feed them? What sort of plants are growing when there is no sunlight to photosynthesise? And how much energy does The Matrix itself use up just keeping the humans distracted? If you were a smart AI, you’d be better off capturing whatever energy is still coming from the sun directly rather than running it through human beings. That would be more energy efficient and, let’s face it, humans are a pain. They have a nasty habit of not doing what they’re told, even when they’re stuck in little pods in the sky. Better off to get rid of them and do whatever it is that AIs like to do with their time. So, this plot device doesn’t work within scientific theory. Another common problem in science fiction is the portrayal of scientists in movies.

Let’s take just one example that bugged me so much I stopped watching the movie: the film Sunshine released in 2007. The story is set in the year 2057. The sun is dying and the earth is getting too cold to live on. Humans come up with a plan to nuclear bomb the sun back to life. They have already sent one spaceship to do the job but communication with it was lost. They send a second ship and that is where the movie begins. While en route to the sun, the second ship establishes communication with the first. They have a choice to carry out the mission as planned or deviate and unite with the first ship. They decide to try the latter. The ship has a supercomputer on board which handles the calculations but, for reasons not explained in the story, they have the ship’s mathematician override it and do the calculations himself. The story makes a big fuss about how difficult the calculations are and how much pressure the mathematician is under to get the done before it’s too late. He makes a mistake and the story goes from there. What is the error here? The error is that you would never let a human calculate by hand when you have a computer there to do the job instead. One things computers undoubtedly do better than humans is calculation especially when there is a time constraint and high pressure situation. Within the plot of Sunshine, it is no surprise that the mathematician made the error. The problem is that nobody on the ship should have allowed it to happen. This is supposed to be a team of scientists and smart people. They should have known better.

So, this is an error just like the one above in Gladiator. Something happens in the story that would not happen in real life. But I think this error reveals something about our cultural understanding of science. We have the stereotype of the genius scientist or mathematician and we think the genius lies in calculation. This ties in with the whole issue of IQ testing where it is assumed that ability to manipulate symbols quickly and accurately is the sine qua non of intelligence. Ask the average person why Einstein or Newton were so smart and chances are they will say they were better at maths than others where “better at maths” means able to calculate things that other people were not. That’s kind of true except the real difference lies not in the calculation ability but the ability to re-define a problem so that it can be calculated or invent new techniques that enable calculation. It does not lie in the ability to do the calculations but that’s what the mathematician in Sunshine was doing; pretending to be a computer. That’s the first problem.

The second problem with the stereotype in Sunshine is the idea of the solitary genius. The ship has just one mathematician aboard and he has to work alone to solve the calculations. In reality, the whole point of science is that others are there to help check your work. You have to explain your methodology and your results and let others reproduce them. The Apollo space program had an estimated four hundred thousand engineers and technicians working on it and a huge part of that effort was in checking and re-checking each other’s work to find mistakes. Even Newton said he was standing on the shoulders of giants. But in our culture, we have the idea of the solitary scientific hero. The solitary hero was already common in western culture and specifically US culture prior to science fiction. This is the lone rider motif. What we have done with much of science fiction is map that motif onto science where it does not belong.

Most scientific breakthroughs are based not on calculations by super high IQ individuals but by one of two primary methods: 1) an imaginative/intuitive re-definition of a problem or theoretical framework; 2) a stochastic process (read: blind luck) that leads to a re-definition of a problem or theoretical framework. These are not mutually exclusive and in fact one almost certainly leads to the other by opening up new areas of exploration which then force a re-defining of theoretical frameworks. In real life stories of science, we find both of these elements. Let’s take a couple of examples that are very topical right now as they relate to vaccines.

Louis Pasteur is credited with the invention of the attenuated vaccine. At that time, trying to prevent mass death by viral disease among livestock herds was the main driver for vaccine research. Pasteur had been working away for years on the problem and making no headway. On the last day before the traditional August summer holiday in France, one of Pasteur’s lab assistants was supposed to do the processing on the latest batch of trial vaccines but forgot. When he returned from holiday he realised his omission but, rather than own up to it, simply injected the chickens with the batch he had left untreated expecting them to die like all the other lab animals previously. But they didn’t die. They got better. For the first time, the test seemed to work. The lab assistant told Pasteur what had happened, they investigated and did more tests and eventually came to the attenuated vaccine. That kind of luck is common throughout the history of real science but is absent in our science fiction. Note that Pasteur is credited with the invention of the vaccine when, in reality, you could argue that it was his lab assistant who was at least partly responsible.

Teamwork is also not emphasised in our cultural depictions of science though it is crucial to real life science. Take the story of the invention of the mRNA vaccine as told by Robert Malone. It features a little bit of a luck and also teamwork as it was one of the scientists on the team who insisted on doing a negative control test when everybody else was thinking of other things that helped the evolution of the process along. Malone is very happy to point those facts out as any real scientist would. That is how science works in real life. As Woody Allen said, showing up is 80% of success. Show up each day and do the work and “luck” falls into your lap. That’s how vaccines came into being: luck and teamwork. Of course, that doesn’t make for a dramatic movie or a good story. Neither does the other process by which scientific breakthroughs are made. These are the Eureka moments where a scientist has a sudden intuition that reveals the solution to a problem. One minute you’re taking a bath and the next moment you have the answer. That doesn’t make for good film either. Almost by definition, storytellers must fabricate the truth in relation to science in order to make it fit into the structure of good fiction.

I could go on with my list of gripes about science fiction. One day I might do a whole post about the movie Interstellar which actually made me angry to watch. It takes some of the tropes I have mentioned here and added others which reveal something about modern culture that is directly relevant to current events. In any case, the problem is that such art is not even a good imitation of reality. To return to Plato, our poets do not even imitate. They fabricate and distort. In doing so, they are creating and re-creating the underlying mythology of the culture but what we now know is that the mythology, through the collective unconscious, has a real effect in the world especially in a society which consumes such a huge amount of myth and fiction relative to reality. It’s tempting to agree with Plato that banning it all would be the best idea. Imagine the current world if somebody flicked a switch and there was no more television, cinema or Netflix. It’s hard to see that as being anything other than a godsend right now. How many of the current social neuroses are fed through that apparatus and would promptly disappear if the apparatus went away? Maybe Plato was onto something.

The Coronapocalypse Part 37: Finale

I published my first post on corona way back on 25th July 2020. At that time, I had topics for about the first four posts and, although I never expected to write thirty-seven posts, I figured I should come up with a catchy name. Just for fun, I’d been mucking around with inventing some corona neologisms and had created a pretty long list. It turns out corona works very nicely as a prefix. Some examples: coronamusement, coronatentment, coronaphoria, coronannoyance, coronasentment, coronaversion, coronavulsion, coronaffender, coronaformer, coronapentance, coronappointment, coronanimity and, of course, coronapocalypse. A year and a bit later, I now consider my choice of title to be another synchronicity because what we are witnessing now is, if I’m correct, the end of not just one but several historical cycles including perhaps the biblical meaning of apocalypse as the end of the Christian era. In order of time and importance, these cycles are: the neoliberal period of the last thirty years, the US/British empire and the global dominance of European civilisation of the last couple of hundred years, the era of materialist science which drove that empire and, taking the theme from Jung’s Aion, the end of the period of the Antichrist which was itself the second half of the Christian era captured astrologically in the Age of Pisces giving way to the Age of Aquarius. Here’s a graphical representation.

In my first book on corona – The Plague Story – I was primarily concerned with the materialist science part of the story. My main guides were the works of Gregory Bateson, James C. Scott, Gerald Weinberg and others who had written some of the major critiques of materialist science in the 20th century especially in relation to its manifestation in bureaucratic-authoritarian governance structures. I argued that corona was exactly the error caused by what Scott called High Modernist Ideology which, in a nutshell, is the notion that science was the solution to all our problems and all we have to do is put experts in charge of everything and a shiny, high-tech utopia will inevitably follow. This ideology was very popular in the late 19th and early 20th centuries and was common to many political theories including Marxism. It was in the name of Marxism that the idea was pushed to its ultimate conclusion in both the USSR and Maoist China. The result was the deaths of tens of millions of people mostly from starvation. That should have been enough real world evidence about the matter but the 20th century also saw the ideology implode from within science itself most notably quantum mechanics. That’s why Shroedinger, Niels Bohr and others ended writing a lot on philosophy because they had seen materialism’s failure in practical, scientific terms. Corona represents the first time the high modernist ideology has been applied on a mass scale in the West. Scott’s work showed in grim detail where the interaction of that ideology enforced through rigid bureaucracy leads and we are now experiencing it directly in our daily lives. That explanation made sense to me but I had the intuition I was missing something. I had tried to find it in the chapters of The Plague Story which dealt with the denial of death, the declining economic conditions implied by corona and a few other bits and pieces. After finishing the The Plague Story, I continued to write the other posts in this series until finally I arrived at Jung and the pieces fell into place which led to the notion of The Devouring Mother as the archetype that had taken over during corona. I realised that what was missing from the High Modernist Ideology expalanation was the psychological background which Jung had already described in detail and with great clarity.

The psychological requirement for an individual or society to fall into the high modernist trap is the dissociation of the conscious mind from the unconscious. This happens in a number of ways. The breaking from tradition, often involving the break up of the family structure. The rejection of religion as the primary mode of symbolising the contents of the unconscious and bridging the gap to the conscious mind. The debasement of art as another bridge to the unconscious. The replacement of all these with state-sponsored education which, in the high modernist period, means a “scientific” education (although very little real science is conveyed in our modern education system). The encouragement of rational thinking without the counterbalancing input from the unconscious leads to psychic dissociation. When combined with the bureaucratic structure where the decision maker’s decisions are based entirely on abstractions with no connection to the real world, the results are disastrous. We don’t normally notice the problem because such dynamics are normally only mild inconveniences such as when you need to get your driver’s licence renewed or get some piece of paperwork from the government. When applied to important matters like the growing of food or the management of a pandemic, the results are exactly what we saw during the 20th century and are seeing now. Within the Jungian perspective, it is no coincidence that both the USSR and Maoist China waged war on religion, that they censored art, that they featured the uprooting of populations and the attack on traditional values to be replaced with state-mandated education. It was those measures which created the psychological conditions that enabled the high modernist ideology to flourish. A very similar thing happened in the years prior to Nazi Germany: the defeat of WW1, the humiliation at Versailles and then the chaotic years of the Weimar Republic. All these had the impact of destroying traditional values and upending the natural relationships in society leaving Germany ripe for archetypal takeover. The High Modernist Ideology is the symptom. The underlying problem is psychological. Destroy art, religion and tradition and replace it with scientific materialism and you leave yourself open to psychic epidemics.

Thus, it is no coincidence that our archetypal takeover by The Devouring Mother during corona was preceded by thirty years of neoliberalism. Neoliberalism, along with the information revolution (the internet, social media etc) have psychologically done to us what was done in Weimar Germany, Stalinist Russia and Maoist China. To my mind, the most eloquent critic of the neoliberal agenda was Sir James Goldsmith. The interested reader can check out this video filmed in 1992. Fittingly, it was Goldsmith’s Schumacher Lecture named after another of the 20th century’s great critics of materialism, E.F. Schumacher. Among other things, Goldsmith warns in the video about the dangers of mucking around with the genetic engineering of viruses. It doesn’t get much more prescient than that given what we now know about the lab in Wuhan. But it’s Goldsmith’s warnings about the social and psychological effects of neoliberalism that I think are even more important in the corona story because they mirror the warnings that Jung had already made. With neoliberalism, we kicked those psychological processes into overdrive: the deification of (materialist) science as a secular religion transmitted through the education system, de-socialisation caused by the uprootedness of the population, broken families representing a break from tradition (note: this is why The Orphan archetype has been dominant during corona), the increasing dissociation of people from “nature” as they leave the land and take to the cities. Every one of Goldsmith’s warnings now rings true. They have come true right before our very eyes and we can trace them directly back to their cause: neoliberalism. The only thing that Goldsmith missed, and he couldn’t have known in 1992, was the advent of the internet. The information revolution has heightened all the processes that were already at play. We are drowning in information these days but we have completely lost the ability to make sense of it. The internet presents us with a sea of abstract information without the corresponding wisdom to understand it. Thus, the voices of the real experts have been there from the start of corona but they were drowned out by the noise. Governments have stepped in to try and fill the void, to be the wise voice of reason (actually, more the stern voice of authoritarianism) but that has just given rise to the high modernist intervention. That’s all modern governments working through their bureaucracy are capable of.

The neoliberal movement is, of course, run by the same kinds of people who have always thought government and the “experts” should run things. The comparisons to communism are valid in that respect. The pattern is the same. Traditional society, what Goldsmith calls the “real nation”, is to be corrected, put in order and, if necessary, overturned so that society can be restructured according to rational principles and materialist science. But this is just another way to frame the psychic disconnect that Jung had identified. It’s the separation of the conscious mind from the unconscious. The rational mind wants to take over but it gets lost in a field of abstractions that bear no relation to reality. Goldsmith identified GDP as one abstraction. Nobody cares about GDP anymore. What we care about are corona “cases”. It’s the same error at work. Meaningless abstractions manipulated by bureaucrats with no tacit understanding of what is going on. It’s part of every real scientist’s training to know very precisely what is and is not being measured by abstractions such as “cases”, but government bureaucrats are not required to know. That’s the high modernist ideology at work. But the ideology is just the symptom. The underlying issue is psychological and it was this which Jung had already identified. Let’s take a few choice quotes from him:-

“Naturally the present tendency to destroy all tradition or render it unconscious could interrupt the normal process of development for several hundred years and substitute an interlude of barbarism.”

“Hence the ever-widening split between conscious and unconscious increases the danger of psychic infection and mass psychosis. With the loss of symbolic ideas the bridge to the unconscious has broken down. Instinct no longer affords protection against unsound ideas and empty slogans. Rationality without tradition and without a basis in instinct is proof against no absurdity.”

“But a predominantly scientific and technological education, such as is the usual thing nowadays, can also bring about a spiritual regression and a considerable increase of psychic dissociation. With hygiene and prosperity alone a man is still far from health, otherwise the most enlightened and most comfortably off among us would be the healthiest. But in regard to neuroses that is not the case at all, quite the contrary. Loss of roots and tradition neuroticise the masses and prepare them for collective hysteria. Collective hysteria calls for collective therapy, which consists in abolition of liberty and terrorisation. Where rationalistic materialism holds sway, states tend to develop less into prisons than into lunatic asylums.”

That is, of course, where we are now in western societies: a lunatic asylum.

Get rid of religion, get rid of sacred symbolism, get rid of stories, get rid of history, break up family ties and community and replace it all with “rationalist education” and the results seem to be the same every time. You get the decoupling of rationality from the unconscious. In the modern world with materialist science, you get the high modernist ideology. It’s because the underlying psychology is the same that the high modernist ideology can occur in cultures as diverse as Russia, China and the West. The psychological structure of man is the same everywhere in the world. Corona is the first time a high modernist intervention has been tried in the West but its arrival signifies the deeper psychological problems wrought be neoliberalism and the information revolution.

That is the psychological and ideological-political background to corona but the corona story, The Plague Story, is falling apart as we speak. The vaccines are not going to “work”. All the elements that make up modern western culture are involved in that failure: neoliberalism, the British-US empire, bureaucracy, the healthcare system, materialist science. What’s more, the failure is going to involve every single citizen in western nations. We have all been pulled in to this business, some willingly and some unwillingly. That failure would have been significant enough by itself, but it comes at a time of the rapid deterioration of the US empire and the global dominance of western European culture that has been in place for a couple of centuries. The neoliberal program was the last hurrah of that empire. It created the conditions for the rise of China and the forming of the Eurasian block as the counterbalance to western power. It is also created the conditions for Trump and Brexit causing a split within our socities. It is yet another synchronicity that the virus came from China during the presidency of Trump and that it was funded by neoliberal money. Some have suspected foul play; that the virus was a conspiracy either by China or by the neoliberal enemies of Trump. Those explanations posit the “cause” in the ego (conscious mind). With The Devouring Mother, I have tried to explain it by recourse to the unconscious mind and in the larger forces that are at play beyond the realm of human consciousness. In any case, neoliberalism had already hollowed out western societies from the inside and led to the rise of Trump and Brexit. At some point in the near future, I expect something will happen that will make clear exactly where the balance of power lies. We will see plainly that the US is no longer the sole superpower and perhaps no longer even the main power in the world. The Eurasian block will assert its strength. That is going to be a great shock to westerners and another blow right at the time when we are already psychologically, economically and politically frail. The fallout is going to hit hardest in the US and the countries in the inner circle of the US empire. I expect the fallout may actually hit hardest in Canada, Australia and New Zealand for several reasons. Firstly, unlike the US, we have benefitted, at least nominally, from the neoliberal agenda. As a result, politics in our countries have been stable, boring  and monotonous for the last few decades. What that means in practice is that we have no alternative narrative on offer. If our leaders have any clue what is coming they are doing a very good job of hiding it. There is certainly no talk that I have heard about a Plan B. More importantly, our societies were founded by the British empire and our culture is based on materialist bourgeois society. Corona strikes at the heart of our very identity. I am sure this is the reason why the corona response has been so much more hysterical in our countries than elsewhere. What is at stake here is fundamental in a way that is not true even in the United States.

As corona has been conducted in the name of “science”, its failure is going to be a huge blow to the prestige of science. I think the blowback will be big enough to put an end to the age of materialist science (aka the Antichrist). It was this which I addressed in detail in post 11 of this series, giving it the name that Kenneth Clark gave: heroic materialism. Heroic materialism was the application of materialist science to bourgeois society creating the material abundance that we all enjoy. Applied to the natural world, it works wonders for building bridges and flying rockets to the moon. It doesn’t work in the biological world. That was the lesson learned the hard way in the USSR and Maoist China and it is the lesson we are learning the hard way right now. As I have alluded to above, we should already have known this from the lessons from quantum mechanics, cybernetics and systems thinking. But those lessons did not filter through to the broader culture. The broader culture is still running on the heroic materialist idea that science can solve every problem. Corona is going to destroy that illusion. The best case scenario now is that the vaccines will be ineffective. The worst case scenario is that they will be actively harmful. Either way, I don’t see a pathway through this where the whole thing is not an abject failure. That failure has already affected every citizen in western societies. Thus, the magnitude of the matter is enormous and the political and cultural fallout will be equivalent. It may take months or it may take years, but I expect that to happen. In the process, the reputation of institutionalised science will have been dragged through the mud and heroic materialism with it. With any luck, we can use this failure to re-establish the limits of the materialist paradigm so that “science” in general does not disappear entirely.

Finally, we come to the last and longest cycle outlined by Jung in his book Aion. The Age of Pisces is coming to an end and the Age of Aquarius about to begin. These have astrological significance which most people nowadays would not take seriously. What is more crucial is the meaning which Jung gave to this. To summarise an entire book in a few sentences, he believed the Age of Pisces was the age of Christ who was a symbol of the archetype of the Self. The Self represents the psyche consisting of the ego (consciousness), the shadow, the anima/animus and the unconscious. Religion and art are, among other things, a way to connect the conscious mind with the unconscious through symbols and the Christ symbol was the way in which knowledge of the Self was made manifest and brought into a form that consciousness could incorporate. No coincidence then that the fall of religion in the west has been tied to the rise of hubris and egotism. Our unconstrained ego is no longer counterbalanced by the unconscious. This leads to psychic epidemics and corona is the latest of those. The rise of materialist science occurred in the period of the Antichrist which had already been predicted at the beginning of the Christian Era. What was also predicted was the apocalypse, which was the end of the whole cycle. Jung believed we were coming to the end of that cycle right now. The period of Christ was the time when we were invited to understand the Self but the understanding of the self is not a pleasant experience. In Jungian terms, Christ on the cross is a symbol of the pain of individuation i.e. incorporating our shadow and facing our soul. That seems to me to be exactly what is happening right now in the West. The failure of corona is going to be enormously painful mostly because we will realise that it is we who have done this to ourselves. It is happening most acutely here in Australia. We have turned our country into a kind of hell. It is a very bourgeois hell. The pantry is still full of food (for most people) and we can all sit on the couch and share our opinions on facebook (as long as we have the right opinions). This is fitting. Australia was founded on the bourgeois ideal just like New Zealand and Canada. It’s that ideal, backed by the empire which secured it and running on materialist science which created it, which is going away. The end of the Aion of Christ/Pisces is the invitation to face the Self and that is precisely what seems to be coming our way. We think we are fighting a virus but we are really fighting ourselves. The “invisible enemy” is the unconscious mind that the ego has become untethered from. The process of individuation is the re-establishment of our connection to the unconscious and the facing of the Self. That is what is portended by the Age of Aquarius. The Age of Pisces was the formulation of the Self through the figure of Christ. Now we must put that formulation into action. That is how I understand Jung’s meaning in Aion.

Corona represents the last hurrah of the period of the Antichrist/Materialist Science. We are stuck in a hall of mirrors grasping at “scientific” abstractions that no longer work. Our leaders and the “experts” have been wrong at every turn for the last one and a half years. Not just a little bit wrong, but exactly the opposite of correct. That, in itself, is weird. Politicians are experts in not making statements to which they can later be held accountable. That is almost half the job of a politician. Yet our politicians, especially here in Australia, have made statement after statement that instantly and continually turned out to be wrong. If the Prime Minister of Australia came out this morning and said the sky was blue, I would fully expect it to turn green by sundown. That is a fitting end to the age of the Antichrist; the inversion of everything. Democratic societies turned authoritarian, truth turned to lies, authority turned to absurdity. It is this we are going to have to face in the years ahead. How we get there is the only question. We may blame the unvaccinated, we may then blame the “science”, we may finally blame the politicians, but ultimately we will have to face ourselves. That would be a fitting way to start the new Aion. A mass, collective individuation process at the societal level. Of course, the alternative is the one that Jung warned of: an extended period of barbarism of exactly the kind we are seeing now in Western nations. Perhaps that is what is needed to trigger the individuation process.

That is the conclusion I have reached through more than a year of blog posts on this subject and seems a fitting way to end this series. I can see now that The Plague Story was an ego-based, conscious explanation for what had happened during corona while The Devouring Mother is an explanation from the unconscious. This conclusion, therefore, presages a third book which would be a combination of the two perhaps against the backdrop on Jung’s Aion. The thesis would be that corona is the turning point to the new Aion. I’m not sure I’m ready to tackle that project yet and in any case I might be wrong. I suspect the answer will come very shortly. I think the next six months are going to be decisive. Lenin once said that there are decades where nothing happens and weeks where decades happen. I wonder if the same applies to centuries and even to millennia? We may be about to find out.

All posts in this series:-

The Coronapocalypse Part 0: Why you shouldn’t listen to a word I say (maybe)

The Coronapocalypse Part 1: The Madness of Crowds in the Age of the Internet

The Coronapocalypse Part 2: An Epidemic of Testing

The Coronapocalypse Part 3: The Panic Principle

The Coronapocalypse Part 4: The Denial of Death

The Coronapocalypse Part 5: Cargo Cult Science

The Coronapocalypse Part 6: The Economics of Pandemic

The Coronapocalypse Part 7: There’s Nothing Novel under the Sun

The Coronapocalypse Part 8: Germ Theory and Its Discontents

The Coronapocalypse Part 9: Heroism in the Time of Corona

The Coronapocalypse Part 10: The Story of Pandemic

The Coronapocalypse Part 11: Beyond Heroic Materialism

The Coronapocalypse Part 12: The End of the Story (or is it?)

The Coronapocalypse Part 13: The Book

The Coronapocalypse Part 14: Automation Ideology

The Coronapocalypse Part 15: The True Believers

The Coronapocalypse Part 16: Dude, where’s my economy?

The Coronapocalypse Part 17: Dropping the c-word (conspiracy)

The Coronapocalypse Part 18: Effects and Side Effects

The Coronapocalypse Part 19: Government and Mass Hysteria

The Coronapocalypse Part 20: The Neverending Story

The Coronapocalypse Part 21: Kafkaesque Much?

The Coronapocalypse Part 22: The Trauma of Bullshit Jobs

The Coronapocalypse Part 23: Acts of Nature

The Coronapocalypse Part 24: The Dangers of Prediction

The Coronapocalypse Part 25: It’s just semantics, mate

The Coronapocalypse Part 26: The Devouring Mother

The Coronapocalypse Part 27: Munchausen by Proxy

The Coronapocalypse Part 28: The Archetypal Mask

The Coronapocalypse Part 29: A Philosophical Interlude

The Coronapocalypse Part 30: The Rebellious Children

The Coronapocalypse Part 31: How Dare You!

The Coronapocalypse Part 32: Book Announcement

The Coronapocalypse Part 33: Everything free except freedom

The Coronapocalypse Part 34: Into the Twilight Zone

The Coronapocalypse Part 35: The Land of the Unfree and the Home of the Safe

The Coronapocalypse Part 36: The Devouring Mother Book Now Available

The Coronapocalypse Part 37: Finale

The Coronapocalypse Part 36: The Devouring Mother Book Now Available

Well, the editing process on this took a lot longer than I was expecting but I wanted to take the time to get it right. The book comes in lean and mean at about 120 pages. There were numerous ways to expand it but each time I felt I was either straying too far from the main theme and/or repeating myself. Those who’ve read any Nassim Taleb book know what it’s like to read a book that could have been fifty pages but took up two hundred and fifty. I was keen to avoid that outcome. Anyway, I’m happy that it’s finally through the sausage grinder and out in the real world. For anybody interested in grabbing a copy, it should be available in your favourite online bookstore. Here’s a few suggestions: Booktopia (AUS), Book Depository (UK), Barnes and Noble (US), Kobo, Amazon and more.

All posts in this series:-

The Coronapocalypse Part 0: Why you shouldn’t listen to a word I say (maybe)

The Coronapocalypse Part 1: The Madness of Crowds in the Age of the Internet

The Coronapocalypse Part 2: An Epidemic of Testing

The Coronapocalypse Part 3: The Panic Principle

The Coronapocalypse Part 4: The Denial of Death

The Coronapocalypse Part 5: Cargo Cult Science

The Coronapocalypse Part 6: The Economics of Pandemic

The Coronapocalypse Part 7: There’s Nothing Novel under the Sun

The Coronapocalypse Part 8: Germ Theory and Its Discontents

The Coronapocalypse Part 9: Heroism in the Time of Corona

The Coronapocalypse Part 10: The Story of Pandemic

The Coronapocalypse Part 11: Beyond Heroic Materialism

The Coronapocalypse Part 12: The End of the Story (or is it?)

The Coronapocalypse Part 13: The Book

The Coronapocalypse Part 14: Automation Ideology

The Coronapocalypse Part 15: The True Believers

The Coronapocalypse Part 16: Dude, where’s my economy?

The Coronapocalypse Part 17: Dropping the c-word (conspiracy)

The Coronapocalypse Part 18: Effects and Side Effects

The Coronapocalypse Part 19: Government and Mass Hysteria

The Coronapocalypse Part 20: The Neverending Story

The Coronapocalypse Part 21: Kafkaesque Much?

The Coronapocalypse Part 22: The Trauma of Bullshit Jobs

The Coronapocalypse Part 23: Acts of Nature

The Coronapocalypse Part 24: The Dangers of Prediction

The Coronapocalypse Part 25: It’s just semantics, mate

The Coronapocalypse Part 26: The Devouring Mother

The Coronapocalypse Part 27: Munchausen by Proxy

The Coronapocalypse Part 28: The Archetypal Mask

The Coronapocalypse Part 29: A Philosophical Interlude

The Coronapocalypse Part 30: The Rebellious Children

The Coronapocalypse Part 31: How Dare You!

The Coronapocalypse Part 32: Book Announcement

The Coronapocalypse Part 33: Everything free except freedom

The Coronapocalypse Part 34: Into the Twilight Zone

The Coronapocalypse Part 35: The Land of the Unfree and the Home of the Safe

The Coronapocalypse Part 36: The Devouring Mother Book Now Available

The Coronapocalypse Part 37: Finale

The Coronapocalypse Part 35: The Land of the Unfree and the Home of the Safe

I’ve started three times now to write a post on what has happened in Australia during corona and each time I’ve run up against a set of difficulties which made me stop. There has been no shortage of material to write about, of course. I could easily blurt out pages and pages outlining all the craziness: the army checkpoints, soldiers on the streets of our major cities, the police brutality, the endless cycle of lockdowns, the heartlessness and stupidity of the public health bureaucrats, the innumerable blunders from the government, the lack of accountability, the absurd fear-mongering from politicians and media and, perhaps most strikingly of all, the complete inability to raise a single dissenting voice that mattered to talk about it all. All of these things have gotten worse, not better, since corona began. Back in March 2020, the Prime Minister told Australians the truth: everybody would get the virus but only the elderly and immuno-compromised were at risk. That’s still true a year and a half later but that’s not what we hear from politicians now. Australia has deviated far from reality and it’s not at all clear how we’re going to find our way back. The only critical voices we’ve managed to muster have focused on the politics. For example, long-time media personality, Alan Jones, has been banging on about the incompetence of our politicians for some time now. But that’s the easy road to take. It’s pleasant to think that the only thing we needed was better politicians to guide us out of the mess. But the politicians, especially in democracies, can only do what the public wants and the actions of the politicians in Australia have had majority support. That reveals something about Australian culture and society. Or does it? How do we separate the Australian response from every other country? What do we attribute to fate and what to “character”?

The analytical problems to answer this question are several. Firstly, there is the fact that many countries around the world have imposed draconian measures during corona. Australia is not alone there. Is the difference just a matter of degree or does it point to something deeper? Australia has undoubtedly gone further than other countries in many respects. Australia is unique, as far as I know, in not allowing citizens to leave without permission of government. This was recently extended to include citizens who have returned to Australia temporarily but who reside overseas. That seems to be an extreme measure but is it meaningfully different from restrictions imposed elsewhere? Unlike other countries, Australia is defending a “covid zero” position and it is this fact which constitutes the second analytical problem in comparing Australia to other countries. Once the borders were closed, “cases” here dropped like a rock. Unlike any other country in the world except New Zealand, Australia was presented with the opportunity of “eliminating the virus”. Naturally, we took it. We then proceeded to tell ourselves that it wasn’t blind luck but good management. More than that, we told ourselves it was because Australians cared about each other more than other countries, especially the US where everything is just “about money”. If there’s one pattern that’s repeatedly popped up in Australia throughout corona it’s – pride goeth before a fall. No sooner had we finished patting ourselves on the back than the cracks started to show in the strategy courtesy of a never-ending procession of lockdowns. Melbourne was the first domino to fall in the winter of 2020. At time of writing, Melbourne is in lockdown number 6 while Sydney is in a lockdown that looks set to last longer than our epic three and-a-half-month effort last year. This all happened because, although borders were “closed”, Australia still had to allow its citizens to return home and we still had to let Hollywood movie stars and other notables into the country because, in the words of the Queensland Chief Health Officer, they brought millions of dollars with them (yes, she actually said that with a straight face at a press conference).  A quarantine program was set up but inevitably “cases” leaked out and outbreaks occurred. We didn’t admit the obvious fact that this was a problem with the strategy of having quarantine facilities in heavily populated areas. Even purpose-built laboratories full of trained staff often fail to stop viruses getting out. Just ask the people in Wuhan. In Australia, we turned hotels in the major cities into quarantine facilities and populated them with barely trained staff. The rest is history. It’s not like Australia has a shortage of land far away from population centres. It’s not like we couldn’t afford to build new facilities. The cost of our lockdowns counts in the trillions of dollars. It would have been cheaper to build a quarantine version of Dubai out in the desert than do what we’ve done. How long do viruses stay viable with the harsh Australian sun beating down on parched earth? Not long I would have thought. We’ll never know because the Australian government couldn’t organise it.

So, the lockdowns began. The first major one was here in Melbourne and, rather than admit a fault in the strategy and find a better way to do it, we found a way to pin the blame on the incompetent state government (yes, reducing every matter to party politics doesn’t just happen in the US). No doubt the government was incompetent, most governments are. But we pretended that the state government in New South Wales knew what they were doing. They were the “gold standard” and, as long as everybody else copied them, the strategy would work. That charade lasted all the way into mid-2021 when New South Wales let an outbreak occur which led to their current lockdown which has famously seen soldiers deployed on the streets of Sydney (hey, we had soldiers on the streets of Melbourne before it was cool). It was at this point that the hysteria levels were raised higher than they had been at any time throughout corona. Politicians in all states embarked on a shameful program of fear mongering. It had nothing to do with health and everything to do with the fact they had been caught with their pants down. Having been happy to take the credit when times were good, they ramped up the hysteria when things went wrong. In the meantime, the federal government had failed to secure the vaccines that were supposed to end the whole thing. As a result, by the time the current flu season is over, much of Australia will have spent essentially the whole winter in lockdown.

One of the earliest cultural critiques of Australia was a book called The Lucky Country by Donald Horne. To paraphrase the main message of the book: Australia is a lucky country run by second-rate people who share its luck. Corona couldn’t bear that out more clearly. Although I obviously disagree with the strategy taken by western countries in relation to corona, there’s no doubt that both the UK and the US were able to execute that strategy properly. Australia was not. We fell backwards into a zero-covid strategy and have proceeded to execute it with all the adroitness of a drunk wombat staggering through a nest of angry bull ants. Can we be held accountable for that? Does it reveal something about Australian society? Or is it unfair to blame politicians for an outcome they probably never believed possible and certainly would never have planned for? Would any other country have behaved differently if they had also stumbled into a situation where they got to “zero” and then had to defend that position?

A third analytical problem is one that is inherent in all analysis of Australian culture. It’s one noted by one of our earliest modern cultural critics, Robin Boyd: how to differentiate Australian culture from “international western culture”. Australia became a nation on 1 January 1901 but the split from Britain was hardly clean. Britain still represented Australia in foreign affairs until the end of WW1. Australia placed armed forces at the disposal of Britain in both world wars. Radio and television news announcers still spoke with British accents until well after the middle of the 20th century. Politically, the main turning point came when Britain refused to defend Singapore in WW2 and left Australia to fend for itself against the Japanese. We turned to the US for help at which point we swapped from being part of the British empire to being part of the US empire. Australia had been dominated by British culture prior to the wars and then became dominated by US culture after. Wherever “Australian culture” has been in the short history of this country, it has had to be found beneath these dominant cultures. In the British era, that culture was found in the bush. The Man from Snowy River or Ned Kelly still hold a place in the nation’s heart for that reason. It wasn’t really until the 1970s that a distinctly Australian urban culture started to show through in television, movies and music but it has always been dominated by US influence. Then came globalisation and multiculturalism to make things even more opaque.

I first encountered this problem in a practical sense when an Indian colleague flew to Melbourne for a project we were working on. On his first day we took him for lunch at a ramen noodle bar. Then, at the end of the week we went for lunch at a Chinese restaurant. Sometime in the middle of his second week, he came over and asked me for a recommendation for lunch – “where can I find Australian food?” he asked. That seemingly simple question proved very difficult to answer. What is Australian food exactly? I could have pointed him to Indian, Chinese, Japanese, Italian, there was even a Mongolian restaurant nearby. But there was no obviously “Australian” restaurant. The same is true of Australian culture in general. It’s there but it’s hidden away. Boyd called Australian culture a veneer on international western culture. That’s one way to think about it. Another is that it is hiding beneath international western culture. Just like my colleague looking for “Australian” food, you have to ask for directions on how to find it.

What is partly at stake in these analytical issues is the age old question of free will versus moral determinism. The deterministic way to look at it is that, through the vicissitudes of fate, Australia accidentally ended up with no covid and then had to defend that position because, well, who wouldn’t? According to this way of thinking, even the US would have done the same if they had managed to close the borders in time. I doubt that’s true but it’s something that is not really testable anyway. Within the Jungian paradigm I have been using in recent posts, the question is somewhat moot. When the archetypes take over, free will as determined by the ego (the conscious mind) disappears because the ego itself has been overwhelmed. Looked at this way, the difference between Australia and the US is simply that we have been overwhelmed by the archetype far more. That raises all kinds of questions as to why. I don’t intend to try and answer those here. What I will do, is sketch out why I think the archetypal analysis helps to explain Australia’s extreme overreaction, an overreaction that has even recently caught the attention of mainstream analysts in the US who look on in horror at what is happening here and wonder whether their politicians have something similar in mind. They are sort of right. There is an element in the US who would love to copy Australia. But I think that what has happened in Australia could never happen in America. Corona has laid bare the real cultural differences that exist between the two countries. Within the archetypal analysis, Australia is The Orphan and the US empire is The Devouring Mother with the big pharma interests representing the Munchausen by Proxy side of that archetype. That works as a political explanation, but it also works culturally. Australian culture and history is very Orphan-like and US history is not. We used to refer to Britain as “the mother country”, for example. It wasn’t until the 1970s that we threw off the “cultural cringe” according to which we were necessarily inferior to the grand cultures of Europe. Australia was originally set up as a penal colony. We were abandoned by our “mother”. Disowned. Orphaned. But also utilised. Australia was initially a naval outpost of the British empire and is now a naval outpost of the US empire. Politically and culturally, we have never been fully independent and autonomous. We imitated first the British and then the Americans. That’s true in politics and culture. When given the chance to take autonomy at a referendum on becoming a republic in 1999, the country firmly voted No. We were still not ready to take our future in hand; still not sure enough in ourselves to transcend the institutions of democracy that we had inherited from our mother. By contrast, the US went to war with its mother and well and truly asserted its independence. Donald Horne said that Australia never “deserved” those institutions. They were part of our luck. We had inherited them but never earned them the hard way like America earned its independence. When given the chance to come up with a new institution of our own, we were unable to do so.  

Australian culture shares a number of traits with The Orphan archetype. On the positive side, we like to get along with people. We are pragmatic and unpretentious to a fault. We are realist and conservative in our realism. Australians err on the side of caution in stark contrast to the US which errs on the side of big, idealist dreams. The shadow traits of The Orphan are also present here. Cynicism, complaining, victimisation of others, powerlessness and worrying. Australians tend to be cynical especially towards politicians. But this is merely an affectation. When the chips are down, as we have seen during corona, we turn to politicians to save us. The Nanny State has been dominant here for a long time. The victimisation of others can be seen in what is known as Tall Poppy Syndrome where people who set out to achieve something out of the ordinary are cut down to size. Our anti-intellectualism and anti-elitism are other examples. Again, this is in stark contrast to the US where the achiever, the entrepreneur and the iconoclast are celebrated. Powerlessness and worrying have been at the core of our corona response. A common response to anybody who questions our response to corona is “what would you do?” or “there’s no other option”. We have been unable to raise a single dissenting voice because no sooner does somebody speak up than they are cut down to size. Having silenced those who would speak out, we say there is no alternative except what the government tells us. This pattern was already evident in Australian history. We used to accuse people of being “Un-Australian” if ever they said something critical of the country. If you spoke up, you were invited to “leave if you didn’t like it”. In light of our new border policy, I suppose this quip now needs to be updated “ask the government for permission to leave if you don’t like it.” Earlier in our history, this led to a stifling atmosphere of conformism which many of our most talented artists and thinkers escaped by going – guess where? – back to the mother country in Britain. We thought we had thrown off that conformism, docility and servility in the 1970s but clearly we have not. There are alternatives to lockdowns such as shown by Sweden and Florida (and now Alberta) but we have convinced ourselves that the path we are on is the only one even though it’s increasingly becoming clear that the path we are on is a road to nowhere. I mentioned above that Australian culture “hides away”. This is much like The Orphan. We just want to fit in. We prefer to be liked than respected. We don’t want to stick out. And ultimately, as corona has shown, we just want to be “safe”.

The notion of protection and safety has been at the centre of Australian political and cultural debate for almost the entirety of the nation’s short history. It is captured nowhere better than in the “White Australia Policy” which, in some form of another, was in place all the way into the 1970s and was still being actively defended by politicians as late as the 1960s. That policy is summed up very nicely in its own language – “This country shall remain forever the home of the descendants of those people who came here in peace in order to establish in the South Seas an outpost of the British race.” An outpost of the British race? This is a reminder that the language and beliefs around “race” were not limited to the Germans in the pre-WW2 period. It also makes explicit how the Australians of that time saw themselves: just a part of the British empire. To be fair, there were genuine issues of security at play. The population of Australia was so small relative to the land mass as to be a weakness militarily. There were also real economic issues. Much like immigration in the modern US is favoured by agricultural business interests, it was those interests which sought cheap labour primarily from the pacific islander nations (it’s noteworthy that right in the middle of corona Australia made special exemption for islanders to enter the country as they still form the backbone of the fruit and vegetable workers in this country). It was partly to protect local workers from such a reduction in wages that The White Australia policy was implemented and supported by the average worker. Against this backdrop, it is at first glance surprising that Australia should have transformed so quickly into one of the more successful multi-cultural nations in the world but that is what has happened in the last several decades. Interestingly, The Orphan archetype predicts this. Orphans get along with people. They are unpretentious and pragmatic. These are useful traits supporting a policy of multi-culturalism. Within this broad historical arc, one can see why Australian culture would be so hard to find. We went from the cultural cringe of subservience to the British to the multi-culturalism and globalism of the American empire very quickly. We have faithfully served the interests of both empires and have been among the most enthusiastic proponents of the neoliberal agenda in recent decades. Robin Boyd already noted in the 1960s that this tendency to imitate first the British and then the American trends implied a culture that was not certain in itself. For Boyd, whose preoccupation was architecture, this amounted to an unwillingness to deal with the problem of “place”. The Australian veneer was a mask that hid a deeper uncertainty. In the words of one of our great poets, A D Hope, Australians were second-hand Europeans who clung timidly to the edge of alien shores. In archetypal terms, we still do not feel at home even in our own country and in our own skin. This is uncertainty of The Orphan who has not established its place in the world.

Australian culture is talked about so seldom that it’s hard to get a grasp on what foreigners think of us. Americans in particular think of Australians via the stereotypes of the movies and television. We are Crocodile Dundee and Steve Irwin wrestling crocodiles and drinking beer in the sun. When George W Bush visited Australia during his presidency he said Australians were like Texans. That’s not true at all. Australians are far more like Californians. No surprise that the closest exponent of our corona response in the US has been California. We are one of the most urbanised countries in the world and our big cities are really big, even by US standards. Unlike the US, we lack the large number of small inland cities and our rural population is so sparse that it is politically almost irrelevant. To a large extent, modern Australia is the big, international city where you can eat food from all corners of the world and see people from all nations. It is the cosmopolitanism of Los Angeles or San Francisco but without the squalor and homelessness.

It was in a conversation with three foreigners who were living here that I got one of the more surprising bits of feedback on Australian culture that I have heard. In the group was an Indian, a Malaysian and a Singaporean. All three were professionals who had moved to Melbourne for work. The subject of Australian workplace culture came up and one of the three, who had clearly been mulling over the subject for some time, said “Australians are two faced”. This got me intrigued. I had never heard that said about Australians before. In fact, I had barely heard anything negative said about Australians before. I asked her for clarification. The root of the problem was a part of Australian culture that I was very familiar with – our extreme aversion to conflict of any kind. Australians will do anything to avoid an argument. In this we show our British roots, only Australians tend to copy the American style of forced positivity as a cover for our insecurity. This is the flip side of The Orphan’s inter-dependency strength. Orphans are good at getting along with others. But that strength can become an imperative for consensus and an unwillingness to hear dissenting opinions. Everybody must get along, or else. We have seen that in stark terms during corona with an almost complete inability to raise a dissenting voice. In the workplace, this manifests as an unwillingness to talk frankly with colleagues. It was this which had annoyed the Malaysian woman I was talking to. According to her, in Singapore and Malaysia it was normal to be told to your face by a colleague or superior if they thought you were doing something wrong. It was considered the right thing to do. In Australia, nobody does that. Rather, people will complain (another trait of The Orphan) to a superior and then it’s the superior’s job to handle it. That’s what this woman meant when she said Australians were two-faced. They say one thing to your face and another thing behind your back.

About a year after that conversation I experienced the practical nature of this problem at work. I was in a meeting with a client. A representative of the client asked for something that made no sense. As this was related to my area of work, I had to deal with the problem. Rather than openly disagree which, not being a very good Australian I would have preferred to do, I did the next best thing which was to ask a few questions to have them explain why they wanted it. The reason they gave was self-evidently invalid and didn’t make sense. I had hoped the act of saying it out loud would make them realise the problem, but no luck. What I then wanted to say was – “we’re not going to give you that as it’s private information internal to the company.” That was the truth. But the truth would be disagreeing and we don’t do that in Australian workplace culture, especially with a third party client in a meeting. So, I said I would take an action on it and later raised it with my manager. She was also a foreigner – an Indian – who had recently arrived in Australia for work. As we had a very open and honest dialogue going, I apologised for having to make work for her and wished I could have handled the matter myself. I mentioned how this was good example of conflict avoidance in the Australian workplace. She agreed and said this was something that was annoying her too. She had spent the last several years working in the US and said that in the US there was a willingness to disagree openly. It wasn’t considered offensive to disagree and, in fact, to not disagree would make you seem a pushover. This seemingly banal occurrence reveals something about Australian culture. In its more extreme form, it is actually a form of predatory behaviour cloaked in niceness. That’s where the two-faced part comes in. It’s also there in the tall poppy syndrome; the tearing down of the person who dares break ranks and stick their head up even in the trivial matter of disagreeing about something that is obviously invalid. If you can’t even speak truth at that kind of basic everyday level, how are you going to speak truth when something important comes along? As one last bit of evidence on this, I was once in a workplace seminar on the subject of giving “negative feedback”. The strategy recommended was the “shit sandwich”. What you do is you start by telling the person something that you like about their work. Then you slip in the negative feedback that’s the thing that you really want to say and you finish with something positive. All that work and energy just to try and avoid speaking a basic truth that in other cultures would be taken care of with a normal conversation. Conflict avoidance creates work. Eventually the truth must come out but you do everything to avoid it; just like Australia is willfully avoiding the truth right now.

The Prime Minister of Australia decided to change the wording of the national anthem right in the middle of corona. He changed the line “we are young and free” to “we are one and free”. It’s hard to conceive a less opportune time to have made that change. We have been neither one nor free over the last year and a half. At time of writing, I am not free to cross the state borders of the country and countless people have been denied that ability in order to visit sick relatives or attend funerals. We are, however, still a young country. We changed the wording in deference to the aboriginals of this land who, having been here for fourty thousand years, can certainly not be said to have been young in cultural terms. I have been fortunate to spend some time in a modern aboriginal community and I can tell you that they have no problem with conflict avoidance or beating around the bush. They get straight to the point. In fact, I would argue that the direct speaking and larrikin spirit which used to be, and still is in places, part of the Australian culture comes from the original inhabitants. But the mainstream Australian culture is still European or, in Boyd’s phrase, international western culture. Being “young” and only recently semi-separated from the “mother country”, Australian culture is the culture of the child in archetypal terms. The requirement for safety is not, of itself, a bad thing. It is obviously a basic necessity. Where it turns negative is when it is clearly doing harm. This harm is at the core of The Devouring Mother – Child relationship and the harm being done is the stunted development of the child. To address this requires strength of character and the ability to speak truth. The absence of these is obliviousness and denial; the refusal to face hard truths. That is precisely where Australia finds itself now; endless cycles of lockdown and the escalation of failed policies.

Of course, this was all precipitated by our Devouring Mother: the US empire. Although the US empire runs mostly on “soft power”, every now and then things get real. Thus, Australia had to follow the US into the Vietnam, Iraq and Afghanistan wars and now we have followed the US into the corona quagmire. The freedoms we thought we had were the freedoms that American citizens have and that are transmitted to us through US culture. But, as Robin Boyd noted, we have done nothing to earn them. And maybe we don’t really believe in them. What we believe in is “safety” at all costs. We continue on a cycle of doubling down on error all while there is zero public discussion about any alternative. This is all while it’s becoming as plain as day that the vaccines will not save us either in literal or political terms. How are our politicians going to get out of this when it becomes clear the vaccines don’t really work? Having spent so long terrifying the population into submission about the virus, how are they going to allow borders to re-open and “cases” to rise? Having shown zero leadership so far and apparently zero ability to predict what is coming, do they have a Plan B to fall back on? If not, it may very well be that Australia simply continues on the current path and keep the borders closed for many years. A lot will depend on what happens in the upcoming northern winter.

History has a sense of irony. The country has returned to our roots. The isolationism, conformism and parochialism are back. Maybe in some sense they never really went away. They were just hidden beneath the veneer of neoliberal globalism. It may very well be that Australians have grasped this fact at some level. We were one of the most enthusiastic supporters of that doctrine. Our behaviour is perhaps partly driven by the genuine uncertainty of what lies ahead. We watched on as Brexit and Trump happened and shook our heads. But these were harbingers of what we now see. We’ve all heard about the border wall between the US and Mexico. But border walls are going up in Europe now too. Neoliberal globalism seems to be evaporating right before our very eyes. Where does that leave Australia? I’m not sure we know and certainly nobody is talking about it. Dissenting voices are not allowed at the best of times in Australia and with corona they have been completely smothered. For that reason, I expect Australia will have to wait for other countries to show us the way forward. Just as we have had to wait for other countries to deliver us the magical vaccine which is the non-solution to our situation. And, finally, we will have to wait, probably decades or more, before Australian culture in whatever form it eventually takes can break free of the dependency we have on “international western culture”. Only once the US empire, our Devouring Mother, has retreated and we stand exposed to the world on equal terms will such a culture have a chance to develop. I used to think that time was far off in the future but it may be much closer that we think.

All posts in this series:-

The Coronapocalypse Part 0: Why you shouldn’t listen to a word I say (maybe)

The Coronapocalypse Part 1: The Madness of Crowds in the Age of the Internet

The Coronapocalypse Part 2: An Epidemic of Testing

The Coronapocalypse Part 3: The Panic Principle

The Coronapocalypse Part 4: The Denial of Death

The Coronapocalypse Part 5: Cargo Cult Science

The Coronapocalypse Part 6: The Economics of Pandemic

The Coronapocalypse Part 7: There’s Nothing Novel under the Sun

The Coronapocalypse Part 8: Germ Theory and Its Discontents

The Coronapocalypse Part 9: Heroism in the Time of Corona

The Coronapocalypse Part 10: The Story of Pandemic

The Coronapocalypse Part 11: Beyond Heroic Materialism

The Coronapocalypse Part 12: The End of the Story (or is it?)

The Coronapocalypse Part 13: The Book

The Coronapocalypse Part 14: Automation Ideology

The Coronapocalypse Part 15: The True Believers

The Coronapocalypse Part 16: Dude, where’s my economy?

The Coronapocalypse Part 17: Dropping the c-word (conspiracy)

The Coronapocalypse Part 18: Effects and Side Effects

The Coronapocalypse Part 19: Government and Mass Hysteria

The Coronapocalypse Part 20: The Neverending Story

The Coronapocalypse Part 21: Kafkaesque Much?

The Coronapocalypse Part 22: The Trauma of Bullshit Jobs

The Coronapocalypse Part 23: Acts of Nature

The Coronapocalypse Part 24: The Dangers of Prediction

The Coronapocalypse Part 25: It’s just semantics, mate

The Coronapocalypse Part 26: The Devouring Mother

The Coronapocalypse Part 27: Munchausen by Proxy

The Coronapocalypse Part 28: The Archetypal Mask

The Coronapocalypse Part 29: A Philosophical Interlude

The Coronapocalypse Part 30: The Rebellious Children

The Coronapocalypse Part 31: How Dare You!

The Coronapocalypse Part 32: Book Announcement

The Coronapocalypse Part 33: Everything free except freedom

The Coronapocalypse Part 34: Into the Twilight Zone

The Coronapocalypse Part 35: The Land of the Unfree and the Home of the Safe

The Coronapocalypse Part 36: The Devouring Mother Book Now Available

The Coronapocalypse Part 37: Finale

The Coronapocalypse Part 34: Into the Twilight Zone

Back in post 10 of this series I noted that the story we have been telling ourselves during corona is the modern version of The Plague Story. The modern Plague Story is the same as the old one except it has a different ending. In the new ending, the experts save the day with a cure. There were two main problems with this story right from the start. Firstly, corona is clearly not the plague i.e. not in the same league as Spanish Flu or the black death. So, the story was a lie. Secondly, the new ending was make believe. The idea that experts could come up with a cure in time to end the plague had no historical precedent whatsoever. It was something cooked up in the imagination of Hollywood screenwriters. The only other time we tried something similar in real life – the swine flu false alarm of 1976 – it was a complete failure. To overturn society to pursue such an outcome was, to put it politely, reckless. But that’s what we did. Not only that, the thing that was going to save the day was a brand new technology that was all but untested. What could go wrong? In the movies, the process of finding the cure and rolling it out happens immediately. But we don’t live in the movies, we live in the real world (well, some of us do). It took just over a year for the “cure” to be rolled out in the form of the various vaccines. During this time the public was led to believe that the vaccines would bring the matter to an end. We just had to sit tight and wait for the experts to save the day. It’s important to understand that this is still what the average person thinks is going to happen. At least, that is what they have been thinking until the last few weeks where the wheels have started to fall off the story. We’re now entering the next phase of the corona event which I’m going to dub The Twilight Zone in honour of the old tv series that specialised in the abnormal and dystopian. Of course, for most people reading this blog, we have already been in the Twilight Zone for a year and a half but I think things may be about to get even more surreal.

The timeline of the vaccine rollout has varied substantially from country to country. Britain, the US and Israel were three of the fastest and they have accordingly been the three where the most early data is available. Each has had a period of “freedom” in the last few months where it seemed that maybe the vaccines were working. In the US, this came earliest in the states of Florida and Texas but the rest of the country eventually caught up and the summer there has, by all accounts, been mask free and quite enjoyable. Britain staggered towards its “freedom day” with “case” counts spiking substantially. No sooner had the day arrived, however, than counts began to fall and are still falling rapidly which is no doubt helping Boris Johnson to sleep at night. This is in contrast to Israel which has seen cases rise again after an initial burst of normality where all restrictions were dropped. It is here that the efficacy of the vaccines is most being called into question. Restrictions are now back and the country recently became the first to roll out a “booster shot” for the elderly and at risk. All these developments have been accompanied by a change in language from the authorities. The phrase “breakthrough case” is the latest bit of newspeak to enter the lexicon. We’re hearing of “booster shots” and, of course, the “vaccine passports” to go to nightclubs and cinemas etc. There was nothing in the movies about this stuff. In the movies, people take the cure and get on with their life. As of the last few weeks, we are no longer following The Plague Story. We have gone off script and the public is just starting to realise that fact.

There’s a couple of important points to make about this. First is the political. Here is how I think about the politics of corona so far.

The Branch Covidians are what I have called the acquiescent children (aka Orphan archetypes manifesting their shadow). They are the ones who have been psychically overwhelmed during corona. The unbelievers are mostly the rebellious children but there has been a substantial split within that group and many have followed the official narrative. In any case, for our purposes here, the unbelievers are ones who are sceptical about corona. This can include people who still believe there is an underlying health issue but are aware that the response has been hysterical and counterproductive. In my estimation, neither of these groups is particularly attached to The Plague Story, albeit for very different reasons. The unbelievers don’t believe The Plague Story was ever valid and so the fact that it has not worked according to plan is not surprising to them. The Branch Covidians are not worried that the story is not coming to an end as they have been quite happy with the re-arrangement of society and have no problem if it continues indefinitely. For these reasons, the recent change in the narrative doesn’t really affect either of these groups.

The average people are the ones who have believed in The Plague Story most firmly and their expectation has always been that the vaccine would end the story. Although it might not seem that way due to media bias, these are the majority of the population. The average person has followed along with the narrative influenced by the media and the politicians but they are not true believers. They have always wanted The Plague Story to end with the vaccine. It’s for this reason that the recent change in the narrative was most likely to affect this group. If I’m reading the room correctly, this is exactly what has started to happen. In the US, the reaction has been caused by the re-introduction of an indoor mask mandate by the CDC a measure which will apparently also be enforced for children at school. The news about the falling efficacy of the vaccine in Israel and Iceland has also started to circulate. In the meantime, politicians have started talking openly about booster shots and vaccine passports. Here in Australia, the Prime Minister, who has been three steps behind the whole way through corona, came out and announced that Australia too will have vaccine passports. The vaccinated will be given extra liberties when Australia finally does open up which is supposed to be by Christmas. His reasoning? The vaccine makes you “less likely” to get infected and “less likely” to get sick. Perhaps he ought to look at the statistics coming out of Israel to check the truth of such statements. In any case, this new language is not going to cut it with the average person. The whole point of the vaccine was that it would end The Plague Story. If it does not, then the story has not ended properly. Vaccine passports and booster shots are not an ending. On the contrary, all they promise is endless extension.

It’s beginning to dawn on the average person that the story is being changed and the new story has no ending. That was always the main political risk of putting all our eggs in The Plague Story basket. We had no idea whether we could bring that story to an end. Now it seems that we can’t. Politicians have backed themselves into a corner with no way out. What is going to be politically crucial in the next few months is how angry the average person gets once they realise they’ve been sold a dud and what they can do about it. It looks like the Republican party in the US is setting itself up to capitalise on the anger. Meanwhile, leaders in different countries (most notably Israel) have already shown a willingness to scapegoat the unvaccinated. This makes sense politically. What politicians cannot allow is a sizeable segment of the population turning to the unbeliever side. That would threaten the entire narrative. Until now, the politics of corona has progressed in a relatively orderly fashion as the majority of the population was happy to wait for the vaccine. If those people now get angry enough to push back, things could get very tense indeed although it’s hard at the moment to see where this anger could find a (productive) outlet.

The other aspect of this is the factual, scientific angle. The vaccines are still in trial mode. They have been given emergency approval and part of that process is presumably to observe very closely to see if they work and what side effects they cause. The chances of objectively judging these matters was already almost zero as the political concerns have overridden any proper evaluation. Now everything is about to become even less clear. As booster shots get rolled out, the number of statuses under consideration increases. There will be the unvaccinated, the single vaxxed, the double vaxxed, those who’ve had the booster and, inevitably, those who’ve had every other booster that gets rolled out. In the meantime, we’ll have an endless parade of variants arrive on the scene. So, now you’ll get effectiveness of different vaccination states against each variant. Well, booster one works against the delta variant but not the omega. For that you’ll need booster two – and so on. On the other side of the ledger are the side effects and also the risk of major issues such as antibody dependent enhancement. Robert Malone was talking about that this week and seems to think there is early evidence that ADE is a thing. Interestingly, he was doing so with Steve Bannon. I don’t know enough about US politics to understand what that means or how influential Bannon still is there. But if other republicans get a hold of that side of the story things could get very interesting politically. Scientifically, though, I think we are unlikely to get any clear signal. There will be enough evidence for and against any side of the argument you want to take. Viral disease is complex enough without throwing experimental “vaccinations” into the mix. Ergo, the “science” is not going to solve any of the political problems. Of course, this is nothing new. If it had, we wouldn’t be in this mess to start with.

We are now moving into a new phase of corona where things are probably going to make even less sense than they have so far, if that was even possible. Spare a thought for us here in Australia. Enormous amounts of political capital have been spent keeping Australians locked up to prevent the spread of the virus. This was all done on the promise that the vaccinations would be rolled out by the end of the year and then we can go back to “normal”. It looks almost certain that the story will fall apart just as Australia gets vaccination rates high enough to open up. I’m imaging the Prime Minister getting up in December and telling the nation that everybody who is vaccinated has to go back for a booster shot before we can open the borders. That will go down like a lead balloon. It’s hard to predict what will happen but just last week we had the two largest corona protests so far in this country and the authorities were clearly taken by surprise. It may just be that things are going to get interesting politically in Australia for the first time in decades. I don’t mean that in a good way. I think we may be headed for a genuine political crisis. But, then again, so may many other countries. The post WW2 order appears to be falling apart right before our eyes. The free movement of people, a cornerstone of the neoliberal ideology, has gone up in smoke. The same people who two years ago would have insisted on it now can’t even bear to let people leave their own homes. That’s life in The Twilight Zone.

All posts in this series:-

The Coronapocalypse Part 0: Why you shouldn’t listen to a word I say (maybe)

The Coronapocalypse Part 1: The Madness of Crowds in the Age of the Internet

The Coronapocalypse Part 2: An Epidemic of Testing

The Coronapocalypse Part 3: The Panic Principle

The Coronapocalypse Part 4: The Denial of Death

The Coronapocalypse Part 5: Cargo Cult Science

The Coronapocalypse Part 6: The Economics of Pandemic

The Coronapocalypse Part 7: There’s Nothing Novel under the Sun

The Coronapocalypse Part 8: Germ Theory and Its Discontents

The Coronapocalypse Part 9: Heroism in the Time of Corona

The Coronapocalypse Part 10: The Story of Pandemic

The Coronapocalypse Part 11: Beyond Heroic Materialism

The Coronapocalypse Part 12: The End of the Story (or is it?)

The Coronapocalypse Part 13: The Book

The Coronapocalypse Part 14: Automation Ideology

The Coronapocalypse Part 15: The True Believers

The Coronapocalypse Part 16: Dude, where’s my economy?

The Coronapocalypse Part 17: Dropping the c-word (conspiracy)

The Coronapocalypse Part 18: Effects and Side Effects

The Coronapocalypse Part 19: Government and Mass Hysteria

The Coronapocalypse Part 20: The Neverending Story

The Coronapocalypse Part 21: Kafkaesque Much?

The Coronapocalypse Part 22: The Trauma of Bullshit Jobs

The Coronapocalypse Part 23: Acts of Nature

The Coronapocalypse Part 24: The Dangers of Prediction

The Coronapocalypse Part 25: It’s just semantics, mate

The Coronapocalypse Part 26: The Devouring Mother

The Coronapocalypse Part 27: Munchausen by Proxy

The Coronapocalypse Part 28: The Archetypal Mask

The Coronapocalypse Part 29: A Philosophical Interlude

The Coronapocalypse Part 30: The Rebellious Children

The Coronapocalypse Part 31: How Dare You!

The Coronapocalypse Part 32: Book Announcement

The Coronapocalypse Part 33: Everything free except freedom

The Coronapocalypse Part 34: Into the Twilight Zone

The Coronapocalypse Part 35: The Land of the Unfree and the Home of the Safe

The Coronapocalypse Part 36: The Devouring Mother Book Now Available

The Coronapocalypse Part 37: Finale